Say eyup
'av a gander on my insta
+44 (0)7429 133965

The name’s
Alice Morris

I’m a Yorkshire lass who is into creating lovely bits and bobs for your eyes and brains

I dabble in

‘av a gander …or a nosy at my CV

Say eyup ‘av a gander on my insta +44 (0)7429 133965

Some art-y bollocks

My practice revolves around the designs we see in the everyday – the community noticeboards, the lost dog posters, the travel agent shop windows – and the banal aesthetic that comes with it. As a recent graduate, I am entering an industry that has it’s creativity stifled by the hand of commercial viability. I observe and work with this Bob-from-the-fish-market anti-aesthetic in rebellion of the clean, safe graphics created by the pressure to make money and explore the possibilities of novel ways of designing in a sea of clean lines and sans serif.

The name’s Alice Morris

I’m a Yorkshire lass who is into creating lovely bits and bobs for your eyes and brains

I dabble in

‘av a gander …or a nosy at my CV

Say eyup ‘av a gander on my insta +44 (0)7429 133965

Some art-y bollocks

My practice revolves around the designs we see in the everyday – the community noticeboards, the lost dog posters, the travel agent shop windows – and the banal aesthetic that comes with it. As a recent graduate, I am entering an industry that has it’s creativity stifled by the hand of commercial viability. I observe and work with this Bob-from-the-fish-market anti-aesthetic in rebellion of the clean, safe graphics created by the pressure to make money and explore the possibilities of novel ways of designing in a sea of clean lines and sans serif.

The name’s Alice Morris

I’m a Yorkshire lass who is into creating lovely bits and bobs for your eyes and brains

I dabble in

‘av a gander
…or a nosy at my CV

Some art-y bollocks

My practice revolves around the designs we see in the everyday – the community noticeboards, the lost dog posters, the travel agent shop windows – and the banal aesthetic that comes with it. As a recent graduate, I am entering an industry that has it’s creativity stifled by the hand of commercial viability. I observe and work with this Bob-from-the-fish-market anti-aesthetic in rebellion of the clean, safe graphics created by the pressure to make money and explore the possibilities of novel ways of designing in a sea of clean lines and sans serif.

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